02 – Trees Day (Test)

Submitted by lacma-admin on

Throughout his career, Diego Rivera created numerous easel paintings and watercolors representing the indigenous peoples of Mexico. Flower Day (Día de flores) is his earliest and most accomplished depiction of a seller of calla lilies. The unusual perspective of the flowers, which are seen from above, and the blocklike forms of the figures are stylistic devices derived from Rivera's earlier cubist paintings.

Ilona Katzew, 2008

01 – Flower Day (Dia De Flores)

Submitted by lacma-admin on

Throughout his career, Diego Rivera created numerous easel paintings and watercolors representing the indigenous peoples of Mexico. Flower Day (Día de flores) is his earliest and most accomplished depiction of a seller of calla lilies. The unusual perspective of the flowers, which are seen from above, and the blocklike forms of the figures are stylistic devices derived from Rivera's earlier cubist paintings.

Ilona Katzew, 2008

3D: Double Vision

The quest for perfect 3D representation drives innovation, stimulates creative expression, and sparks wonder in generation after generation. 3D: Double Vision is the first American exhibition to survey a full range of artworks, dating from 1838 to the present, that produce the illusion of three dimensions. These artworks function by activating binocular vision—the process by which our brains synthesize the information received by our two eyes into a single, volumetric image.

MOBILE Privacy Policy

Submitted by tgarcia on

The Los Angeles County Museum of Art (the Museum) makes every effort to ensure that all of the transactions that occur on its Web site will be secure. All credit card information submitted to the site are encrypted using "Secure Sockets Layer" (SSL) software, which is the industry standard for information security, so it cannot be read as the information travels over the Internet. In addition, credit card information is not stored permanently on the Web server.

471

Submitted by tgarcia on

Anónimo
Reina del Cielo y de los santos, ca. 1770
 En esta pequeña pero abigarrada lámina, el artista ha dispuesto magistralmente un total de 285 figuras de santos, rodeados por tondos con los misterios gozosos y dolorosos. En medio de esta catarata de gloria, la Virgen del Rosario, vinculada con la orden dominica, asciende al empíreo para ser coronada por el Padre Eterno. 

474

Submitted by tgarcia on

Nicolás Enríquez
México, 1704-ca. 1790
Aparición de la Virgen del Pilar a Santiago, 1773 
Esta pintura muestra la aparición de la Virgen María a Santiago y sus seguidores en la ribera del Ebro, extramuros de la ciudad de Zaragoza. Según la tradición, la Virgen, que se apareció sobre un pilar de piedra, fue transportada por ángeles desde Jerusalén para alentar al santo en su evangelización de la provincia romana de Hispania.