Eye presumes a dichotomy between the West/Christianity and East/Islam, perpetuating a reductive idea rooted in colonialism and art historical movements, such as turquerie, that Western art and dress hold a monopoly on influencing—and deriving inspiration from—outside cultures. Artworks displayed here counter such notions with evidence of complex cultural exchanges: A “money hat,” worn to represent a Palestinian bride’s marital status and economic position, is adorned with both Arabic-inscribed Ottoman coins and silver thalers (coins) depicting Habsburg ruler Maria Theresa. A liturgical veil—with embroidered Greek Orthodox cross and abbreviated inscription (“Jesus Christ Victorious”)—has been refashioned from a precious Turkish textile.

Woman’s Headdress
Palestine, Hebron, 20th Century
Los Angeles County Museum of Art, Gift of B. Rich
photo © Museum Associates/LACMA