Since the late 1970s, Frank Majore has meticulously assembled luscious color photographs that exploit the language of corporate advertising. Happy features a studio-based assembly of champagne-filled glass flutes placed against projected patterns that simulate colorful paned windows. Floating across the bottom left is the ethereal image of a pale woman (appropriated from a beauty-product television advertisement) with closed eyes who emits a gentle laugh. Majore is interested in how advertisers control viewers and spur consumption through the manipulation of feminine beauty.