Postwar Women Artists
Postwar Women Artists Transcript
Artists on Art Audio Transcript
Artists on Art Audio Transcript
Intro: montage of interview excerpts overlapping, with music
HOCKNEY: If your eyes are still, you’re dead!
Revolution and Rebellion: Political Activism in 20th-Century Art
Revolution and Rebellion: Political Activism in 20th-Century Art Transcript
Intro: Sound collage taken from the interviews below.
NARRATOR: Welcome to our audio tour about modern art made after 1950. This tour is about revolution and rebellion. We’ll look at how artists have defied convention and embraced political change and their own role in advancing it. There is no neat narrative here, but there are some incredible stories.
Five Series of Repetition, 1987
In 1987, Xu Bing completed his master of fine arts degree in printmaking, and presented the woodblock print piece Five Series of Repetition as his thesis project. The series showed the evolution of carved wood blocks over time, starting with prints of uncut woodblocks, and finishing with prints where nearly all of the wood had been carved away. In this printing, we see a midway point in the series, in which the carved scenes of farmland are fully etched, their forms not yet chipped away.
© Xu Bing Studio, photo: LACMA
Wood Houses in the Mountains, 1964
Based on Lui Shou-Kwan’s Wood Houses in the Mountains, Background Story is one in a series of works by Xu Bing that recreates modern and historical ink landscape paintings in light-box installations. Though Background Story appears as a peaceful, idyllic landscape from the front, a look behind the piece reveals that it is composed of trash and natural debris, contrasting the historical landscape with allusions to the contemporary polluted environment.
© Helen Ting, photo: Maurice Aeschimann, Geneva
Background Story: Ink Variation (from Lui Shou-kwan), 2016
© Xu Bing Studio, photo by Fang Chao