Pacific coast

Submitted by tgarcia on

Between 400 BCE and 500 CE, one of the earliest major cultures of Colombia emerged among the swampy mangroves that cover five hundred kilometers of Pacific coastline along southern Colombia and northern Ecuador. Now referred to as Tumaco-La Tolita, their ceramics are remarkable for the realism of expression, including old age and illness. Perhaps more remarkably, they are the only culture in the ancient world to isolate and work platinum. 
  

Tolima, Middle Magdalena Valley

Submitted by tgarcia on

Tolima stylized breast plates are among the most iconic artworks of ancient Colombia. However, we know very little about what they might represent and how they were used. They display a four-legged being with a human-like face, and many have a long, bifurcated tail and a pair of protrusions on the head—elements that are both reminiscent of insects or crustaceans. These figures depict hybrid beings that could represent spiritual processes of transformation.
  

Tripod Offering Bowl

Submitted by tgarcia on

The offering was a central practice of daily rituals and collective ceremonies for Indigenous Colombians. Ceramic, jewelry, stone, shell, wood, cotton, emeralds, corn, tobacco, coca, and blood were elemental in the complex of rituals related to both individual and collective needs. 
  

Cundinamarca and Boyacá High Plains

Submitted by tgarcia on

Between the eighth and sixteenth centuries, the altiplano (high plain) around what is present-day Bogota was the home of a decentralized and linguistically diverse group of people we now collectively call the Muisca. Muisca caciques (rulers) presided over a wide variety of valuable materials—including textiles, metals, precious stones, tobacco, coca, and beeswax—and officiated at collective offering rituals.

Sierra Nevada de Santa Marta

Submitted by tgarcia on

The Sierra Nevada de Santa Marta in northern Colombia encompasses a unique ecosystem as the world’s tallest coastal mountain range. During earlier periods (Nahuange), people concentrated in the coastal bays, where they fished, farmed, extracted salt, and produced tumbaga (gold-copper alloy) adornments and figures. From 900 CE, in the Tairona period, these groups settled higher on the rugged mountain slopes, constructing large urban centers (see photos below), water systems, and stone pathways.

Nariño Mountain Range

Submitted by tgarcia on

The cold, high mountains on the present-day border between Colombia and Ecuador were inhabited by groups of farmers, herders, and hunters from the fifth century CE. They took advantage of the variety of different climates at different altitudes to grow a multitude of products, in addition trading with Pacific coastal and Amazonian communities for shells, gold, feathers, and more. 
  

Caribbean Lowlands

Submitted by tgarcia on

"The Caribbean lowlands are an area of marshes, estuaries and grasslands susceptible to seasonal flooding. Between around 200 BCE and 1000 CE, the Zenúes successfully lived here by constructing half a million hectares (almost two thousand square miles) of ditch-and-raised-field systems, which are still visible today (see photo).
  

Calima and Malagana Regions

Submitted by tgarcia on

"In the Calima region in the Western Cordillera, traces of dwellings, cemeteries, roads, and fields with raised ridges and drainage canals testify to a continuous occupation from 1500 BCE through the sixteenth century. Nonetheless, changes in the archeology of the region, as well as its ceramic and metalworking styles, allows us to distinguish three distinct periods. 
  

“How the Indians Try to Find Gold,” Histoire Naturelle

Submitted by tgarcia on

The Histoire Naturelle des Indes is an early exercise in economic geography, charting resource use and profits in the New World. Colorful illustrations of plants, animals, and people engaged in various activities are accompanied by captions in French. The author paid careful attention to the workings of the Spanish colonial administration, particularly the mining, minting, and transportation of silver and gold. This passage reads as follows:
  

Our lady of Chiquinquira

Submitted by tgarcia on

Around 1555, Spanish artist Alonso de Narváez was commissioned to paint the Virgin of the Rosary, accompanied by Saint Anthony and Saint Andrew, for a small chapel. The scene, which was painted on a canvas made of native cotton (a precious material), deteriorated to a point where it was no longer visible.