Photographer’s studio head clamp, before 1900

Photographer’s studio head clamp, before 1900
Iron
Amon Carter Museum of American Art Archives

Until the 1890s, when electric light became more widely used, studio exposures were generally five to ten seconds. To keep sitters still, photographers often propped them from behind with carefully hidden head clamps. Napoleon Sarony, widely considered the father of artistic photography in America, took the extra step of using adjustable iron supports to hold the outstretched arms and legs of his subjects.

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