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Unframed Blog
| Jul 10, 2014
… Program that he sought “as wide a range of artists as possible” when soliciting proposals. The Los Angeles Council …
Unframed Blog
| Oct 11, 2012
… And here we have some of the talent that made film noir possible later on in Hollywood—Deutsch playing Baron Kurtz … Struss from…
Unframed Blog
| Nov 02, 2011
Sandra de la Loza,” Mural Remix: Unknown, Believed to be by José A. Gallegos, 1975,” funded by Citywide Murals, 2010, © Sandra de la Loza
Unframed Blog
| Jun 15, 2020
*Throughout this blog post the terms Indigenous and Native are used interchangeably.
Unframed Blog
| Sep 07, 2020
… museum and work from home reality would not have been possible without the agile and adaptable staff that make up …
Unframed Blog
| Nov 17, 2020
… Lab is presented by The Art + Technology Lab is made possible by YouTube Learning, and Snap Inc. Additional …
Unframed Blog
| Dec 07, 2023
… chemistry and physics, to preserve artwork for as long as possible in a condition aligned with the artist’s intent for …
Unframed Blog
| Feb 22, 2024
“When I think about the legacy of Black folks, I think about endless innovation, folks having to sort of create themselves with lack of knowledge of…
1997 | Silkscreened plastic, fluorescent lightbulbs, and metal fittings
Silkscreened plastic, fluorescent lightbulbs, and metal fittings Full Title: The Best of All Possible Worlds ...
Post 1945, 2014 | acrylic, ballpoint pen, and varnish on canvas
acrylic, ballpoint pen, and varnish on canvas Full Title: Possible Worlds #9021 Portfolio Orig Lang ...
17th century | Repoussé and chased silver
Monographic Series Title: Plate Number: Volume Number Page: Geography: Viceroyalty of Peru, possibly Puno ... world, including to Jerusalem. These fragments were originally nailed to a wooden armature as part of ... a seraph.</P><br> From exhibition <I>Archive of the World</I>, 2022 (for more information see the ...
circa 1775-1790 | Wood and silver
Geography: Bolivia, possibly Moxos or Chiquitos Artwork Dimensions: 7 1/2 × 11 × 9 1/2 in. (19.1 × 27.9 ... Bolivia.</P><br> From exhibition <I>Archive of the World</I>, 2022 (for more information see the ... 81–82, pp. 316–25) Bibliographic Entry: Katzew, Ilona, ed. <EM>Archive of the World: Art and ...
mid-18th century | Hammered, repoussé, engraved, chased, and stamped gold
Geography: Brazil, possibly Bahía Artwork Dimensions: Height: 3 3/8 in. (8.6 cm); diameter: 6 7/8 in. (17.5 ... exhibition <I>Archive of the World</I>, 2022 (for more information see the catalogue entry by ... Katzew, Ilona, ed. <EM>Archive of the World: Art and Imagination in Spanish America, 1500–1800: ...
late 17th or early 18th century | Wood, iron, tortoiseshell, and bone
Number Page: Geography: Mexico, possibly Campeche Artwork Dimensions: 6 1/8 × 8 1/2 × 5 in. (15.6 ... exhibition <I>Archive of the World</I>, 2022 (for more information see the catalogue entry by ... Katzew, Ilona, ed. <EM>Archive of the World: Art and Imagination in Spanish America, 1500–1800: ...
18th century | Wood, inlaid with tortoiseshell, mother-of-pearl, and ivory; mirror glass; and iron
Geography: Guatemala (for export market, possibly Peru) Artwork Dimensions: Chest: 14 9/16 × 24 3/8 × 14 3/8 ... possibly with the involvement of Asian artisans. Archival and material documentation, however, seems to ... creatively reinterpreted.</P><br> From exhibition <I>Archive of the World</I>, 2022 ...
18th century | Wood, inlaid with tortoiseshell, mother-of-pearl, and ivory; oil painting on tin; glass; brass; copper fittings; and iron hinges
Number Page: Geography: Guatemala (for export market, possibly Peru) Artwork Dimensions: 32 × 69 3/4 ... experts have argued that their profusion in Lima suggests local manufacture, possibly with the involvement ... Baptist.</P><br> From exhibition <I>Archive of the World</I>, 2022 (for more information see the ...
last third of the 18th century | Wood, inlaid with mother-of pearl and tortoiseshell, brass, silver, and paint
Guatemala (for export market, possibly Peru) Artwork Dimensions: Diameter: 15 3/4 in. (40 cm) Earliest ... possibly with the involvement of Asian artisans. Archival and material documentation, however, seems to ... creatively reinterpreted.</P><br> From exhibition <I>Archive of the World</I>, 2022 ...
last third of the 18th century | Wood, inlaid with mother-of-pearl, tortoiseshell, and silver
(for export market, possibly Peru) Artwork Dimensions: 5 1/2 × 17 5/16 × 13 3/4 in. (14 × 44 × 35 cm) ... suggests local manufacture, possibly with the involve ment of Asian artisans. Archival and material ... the World</I>, 2022 (for more information see the catalogue entries by Ilona Katzew and Luis ...
last third of the 18th century | Wood, inlaid with mother-of-pearl, tortoiseshell, and silver
possibly Peru) Artwork Dimensions: Height: 29 1/8 in. (74 cm); diameter: 25 9/16 in. (65 cm) Earliest ... possibly with the involvement of Asian artisans. Archival and material documentation, however, seems to ... <I>Archive of the World</I>, 2022 (for more information see the catalogue entries by Ilona Katzew and ...
18th century | Wood, inlaid with tortoiseshell and mother-of-pearl, brass, and silver
possibly Peru) Artwork Dimensions: 13 1/4 × 14 1/2 × 9 1/4 in. (33.7 × 36.8 × 23.5 cm) Earliest Date: ... possibly with the involve ment of Asian artisans. Archival and material documentation, however, seems to ... From exhibition <I>Archive of the World</I>, 2022 (for more information see the catalogue ...
circa 1775-1790 | Cast, repoussé, and chased silver
Geography: Upper Peru, possibly Potosí Artwork Dimensions: 9 13/16 × 11 × 7 7/8 in. (25 × 28 × 20 cm) ... Label: <P>Silver was closely associated with empire building in the early modern world. In 1545, ... the Spaniards found the world’s richest silver deposit, the Rich Hill of Potosí (in present-day ...
1988 | Oil on canvas
possibilities, and the twentieth century was no exception. A modern age marked by technological wonders had ... brilliant thinkers, explained that, unlike Europe, “the New World expanded the human imagination.” Young ... Stieglitz, American artists rarely abandoned referential ties to the physical world completely. The ...
circa 1930s-1940s | Polychromed Keen's cement (plaster)
beginning of every century inspires a general sentiment of endless possibilities, and the twentieth century ... unlike Europe, “the New World expanded the human imagination.” Young American students still traveled to ... abandoned referential ties to the physical world completely. The simplification of form, multiple ...
1946 | Gouache on paper on board
century inspires a general sentiment of endless possibilities, and the twentieth century was no exception. ... World expanded the human imagination.” Young American students still traveled to Europe, especially ... referential ties to the physical world completely. The simplification of form, multiple perspectives, and ...
1942 | Oil on canvas
a general sentiment of endless possibilities, and the twentieth century was no exception. A modern age ... Mumford, one of the country’s most brilliant thinkers, explained that, unlike Europe, “the New World ... to the physical world completely. The simplification of form, multiple perspectives, and ideas about ...
1950 | Metal, cotton cord
a general sentiment of endless possibilities, and the twentieth century was no exception. A modern age ... Mumford, one of the country’s most brilliant thinkers, explained that, unlike Europe, “the New World ... to the physical world completely. The simplification of form, multiple perspectives, and ideas about ...
circa 1918 | Oil on canvas
possibilities, and the twentieth century was no exception. A modern age marked by technological wonders had ... brilliant thinkers, explained that, unlike Europe, “the New World expanded the human imagination.” Young ... Stieglitz, American artists rarely abandoned referential ties to the physical world completely. The ...
1949 | Oil on canvas
endless possibilities, and the twentieth century was no exception. A modern age marked by technological ... most brilliant thinkers, explained that, unlike Europe, “the New World expanded the human imagination.” ... Stieglitz, American artists rarely abandoned referential ties to the physical world completely. The ...