Coded: Art Enters the Computer Age, 1952–1982
Coded: Art Enters the Computer Age, 1952–1982
Coded: Art Enters the Computer Age, 1952–1982 explores how the rise of computer technology, together with its emergence in popular consciousness, impacted the making of art in the age of the mainframe. International and interdisciplinary in scope, Coded examines the origins of what we now call digital art, featuring artists, writers, musicians, choreographers, and filmmakers working directly with computers as well as those using algorithms and other systems to produce their work. Whether computer-generated or not, the many artworks considered here reflect the simultaneous wonder and alienation that was characteristic of the 1960s and ’70s, along with the utopian and dystopian possibilities of these new machines. Today, with digital technology having been fully integrated into our lives, Coded’s examination of the years leading up to the advent of the personal computer is relevant, even imperative, to fully appreciating art and culture in the age of the computer—both then and now.
This exhibition displays video that has flashing lights, moving patterns and other visuals that could potentially affect visitors who are susceptible to photosensitive epilepsy or other photo sensitivities.
This exhibition was organized by the Los Angeles County Museum of Art.
Coded: Art Enters the Computer Age, 1952–1982 is made possible through the generous support of the Carl & Marilynn Thoma Foundation.
Additional support provided by Judith Angerman and Lisson Gallery.
All exhibitions at LACMA are underwritten by the LACMA Exhibition Fund. Major annual support is provided by Meredith and David Kaplan, with generous annual funding from Louise and Brad Edgerton, Edgerton Foundation, Emily and Teddy Greenspan, Mary and Daniel James, Justin Lubliner, Jennifer and Mark McCormick, Kelsey Lee Offield, Koni and Geoff Rich, Jen Rubio and Stewart Butterfield, Lenore and Richard Wayne, and Marietta Wu and Thomas Yamamoto.
Sonya Rapoport, page 2 from Anasazi Series II, 1977 (detail), Los Angeles County Museum of Art, Purchased with funds provided by the Prints and Drawings Council and the Stephen A. Kanter Trust, by exchange, © Estate of Sonya Rapoport, photo © Museum Associates/LACMA
- Feb 12–Jul 2, 2023
- BCAM, Level 2
This exhibition was organized by the Los Angeles County Museum of Art.
Coded: Art Enters the Computer Age, 1952–1982 is made possible through the generous support of the Carl & Marilynn Thoma Foundation.
Additional support provided by Judith Angerman and Lisson Gallery.
All exhibitions at LACMA are underwritten by the LACMA Exhibition Fund. Major annual support is provided by Meredith and David Kaplan, with generous annual funding from Louise and Brad Edgerton, Edgerton Foundation, Emily and Teddy Greenspan, Mary and Daniel James, Justin Lubliner, Jennifer and Mark McCormick, Kelsey Lee Offield, Koni and Geoff Rich, Jen Rubio and Stewart Butterfield, Lenore and Richard Wayne, and Marietta Wu and Thomas Yamamoto.
Sonya Rapoport, page 2 from Anasazi Series II, 1977 (detail), Los Angeles County Museum of Art, Purchased with funds provided by the Prints and Drawings Council and the Stephen A. Kanter Trust, by exchange, © Estate of Sonya Rapoport, photo © Museum Associates/LACMA
When listening inside the exhibition, please be considerate of others and use headphones.