The Allure of Matter: Material Art from China
The Allure of Matter: Material Art from China
Since the 1980s, Chinese contemporary artists have cultivated intimate relationships with their materials, establishing a framework of interpretation revolving around materiality. Their media range from the commonplace to the unconventional, the natural to the synthetic, the elemental to the composite: from plastic, water, and wood, to hair, tobacco, and Coca-Cola. Artists continue to explore and develop this creative mode, with some devoting decades of their practice to experiments with a single material. The Allure of Matter: Material Art from China brings together works from the past four decades in which conscious material choice has become a symbol of the artists’ expression, representing this unique trend throughout recent history. Some of the most influential Chinese contemporary artists today are featured in this exhibition, including Xu Bing, Cai Guo-Qiang, Lin Tianmiao, and Ai Weiwei. The Allure of Matter premieres at LACMA before traveling to the Smart Museum of Art at the University of Chicago, the Seattle Art Museum, and finally the Peabody Essex Museum in Salem, Massachusetts.
This exhibition is accompanied by the first scholarly volume to examine Chinese art through the lens of materiality. It is co-authored by the exhibition's curators, Wu Hung, Smart Museum Adjunct Curator, Harrie A. Vanderstappen Distinguished Service Professor of Art History, and Director of the Center for the Art of East Asia at the University of Chicago, with Orianna Cacchione, Smart Museum Curator of Global Contemporary Art.
This exhibition is co-organized by the Los Angeles County Museum of Art, The Smart Museum of Art with Wrightwood 659, the Seattle Art Museum, and the Peabody Essex Museum.
This exhibition is presented by
Support provided by the Wallis Annenberg Director’s Endowment Fund.
The national tour of this exhibition is supported by The Andy Warhol Foundation for the Visual Arts.
All exhibitions at LACMA are underwritten by the LACMA Exhibition Fund. Major annual support is provided by Mr. and Mrs. Anthony and Lee Shaw, Kitzia and Richard Goodman, Jerry and Kathleen Grundhofer, Meredith and David Kaplan, and Jeffrey Saikhon, with generous annual funding from the Judy and Bernard Briskin Family Foundation, Louise and Brad Edgerton, Edgerton Foundation, Emily and Teddy Greenspan, Marilyn B. and Calvin B. Gross, Mary and Daniel James, David Lloyd and Kimberly Steward, Kelsey Lee Offield, David Schwartz Foundation, Inc., Andy Song, Lenore and Richard Wayne, and The Kenneth T. and Eileen L. Norris Foundation.
The opening reception is supported by CHANEL and Christie’s.
Image: Lin Tianmiao, Day-Dreamer, 2000, photo courtesy of the artist, © Lin Tianmiao
- Jun 2, 2019–Jan 5, 2020
- BCAM, Level 2
This exhibition is co-organized by the Los Angeles County Museum of Art, The Smart Museum of Art with Wrightwood 659, the Seattle Art Museum, and the Peabody Essex Museum.
This exhibition is presented by
Support provided by the Wallis Annenberg Director’s Endowment Fund.
The national tour of this exhibition is supported by The Andy Warhol Foundation for the Visual Arts.
All exhibitions at LACMA are underwritten by the LACMA Exhibition Fund. Major annual support is provided by Mr. and Mrs. Anthony and Lee Shaw, Kitzia and Richard Goodman, Jerry and Kathleen Grundhofer, Meredith and David Kaplan, and Jeffrey Saikhon, with generous annual funding from the Judy and Bernard Briskin Family Foundation, Louise and Brad Edgerton, Edgerton Foundation, Emily and Teddy Greenspan, Marilyn B. and Calvin B. Gross, Mary and Daniel James, David Lloyd and Kimberly Steward, Kelsey Lee Offield, David Schwartz Foundation, Inc., Andy Song, Lenore and Richard Wayne, and The Kenneth T. and Eileen L. Norris Foundation.
The opening reception is supported by CHANEL and Christie’s.
Image: Lin Tianmiao, Day-Dreamer, 2000, photo courtesy of the artist, © Lin Tianmiao
Media
Watch the installation of select artworks from the exhibition.