To Rome and Back: Individualism and Authority in Art, 1500–1800
To Rome and Back: Individualism and Authority in Art, 1500–1800
Over the course of its 2,000-year history, Rome has been alternatively held as the epitome of republic, the decadence of empire, the force of Catholicism, the artistic and literary birthplace of naturalism, and above all, the source of classicism. Despite these various, and ostensibly conflicting associations, its classical epithet—the Eternal City—reflects the symbiosis of these qualities and their lasting influence on republics, nations, religions and even continents beyond. For while Rome’s significance waxed and waned through plagues and progress, conflict and collaboration, its political, social, cultural, and religious power remained consistently strong throughout its history.
Assembled nearly entirely from LACMA’s permanent collection, this examination of a significant moment in early Modern Europe reflects the donations and gifts from years of support to the museum’s departments of Costume and Textiles, Decorative Arts and Design, Latin American Art, and Prints and Drawings, in addition to European Painting and Sculpture. These works reveal the depth of Rome’s impact from the Renaissance to the Enlightenment, before rising individualism, internationalism, and the optimistic equilibrium between secular and religious forces caused the city’s ultimate marginalization.
This exhibition was organized by the Los Angeles County Museum of Art.
All exhibitions at LACMA are underwritten by the LACMA Exhibition Fund. Major annual support is provided by Mr. and Mrs. Anthony and Lee Shaw, Kitzia and Richard Goodman, Jerry and Kathleen Grundhofer, Meredith and David Kaplan, and Jeffrey Saikhon, with generous annual funding from the Judy and Bernard Briskin Family Foundation, Louise and Brad Edgerton, Edgerton Foundation, Emily and Teddy Greenspan, Marilyn B. and Calvin B. Gross, Mary and Daniel James, David Lloyd and Kimberly Steward, Kelsey Lee Offield, David Schwartz Foundation, Inc., Andy Song, Lenore and Richard Wayne, and The Kenneth T. and Eileen L. Norris Foundation.
Image: Ludovico Mazzanti, The Death of Lucretia, c. 1730, Los Angeles County Museum of Art, gift of The Ahmanson Foundation, photo © Museum Associates/LACMA
- Jun 24, 2018–Mar 17, 2019
- Resnick Pavilion
This exhibition was organized by the Los Angeles County Museum of Art.
All exhibitions at LACMA are underwritten by the LACMA Exhibition Fund. Major annual support is provided by Mr. and Mrs. Anthony and Lee Shaw, Kitzia and Richard Goodman, Jerry and Kathleen Grundhofer, Meredith and David Kaplan, and Jeffrey Saikhon, with generous annual funding from the Judy and Bernard Briskin Family Foundation, Louise and Brad Edgerton, Edgerton Foundation, Emily and Teddy Greenspan, Marilyn B. and Calvin B. Gross, Mary and Daniel James, David Lloyd and Kimberly Steward, Kelsey Lee Offield, David Schwartz Foundation, Inc., Andy Song, Lenore and Richard Wayne, and The Kenneth T. and Eileen L. Norris Foundation.
Image: Ludovico Mazzanti, The Death of Lucretia, c. 1730, Los Angeles County Museum of Art, gift of The Ahmanson Foundation, photo © Museum Associates/LACMA
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Take a look inside the exhibition, on view at LACMA June 24, 2018–March 17, 2019.