|
|
 |
|
Box
Turkey (c. 1640)
This spectacular inlaid wood box exemplifies the
preeminence of Ottoman high art. Its bold design suggests that
the box may have once served as a furnishing for the famed Topkapi
Palace.
|

|
|
Francesco
Fontebasso (1707–69)
Abraham and the Three Angels
Venice, Italy ( c. 1750)
Francesco Fontebasso, one of the finest painters-draftsmen of
eighteenth-century Venice, produced sparkling, delicate work in the
best tradition of the Italian rococo. The beautiful and dramatic Abraham
and the Three Angels depicts one of the most significant events
in the Old Testament book of Genesis.
|

|
|
Man's Tunic
Peru, South Coast, Nasca Culture (A.D. 500–700)
Some of the most visually striking textiles in ancient Peru
were created more than 1,500 years ago by the Nasca, the same people
who created the mysterious Nasca lines. The tunic's most significant
pattern, the three-pronged trident, may represent the Nasca underground
canals or the clawed paw of a feline.
|
 |
|
The Great
Sage Agastya
Bihar, India (12th century)
Among all the tens of thousands of stone sculptures created over
the course of half a millennium in medieval eastern India, this incomparable
work of art survives as a unique masterpiece. It is the only known
image of the revered Hindu sage Agastya, and its extraordinarily
high artistic quality and exquisite detail rank it as an indisputable
masterwork.
|
 |
|
Pastimes
and Pleasures in the Eastern Hills of Kyoto
Japan, Genna era (1615–1624)
This recently discovered screen, Pastimes and Pleasures
in the Eastern Hills of Kyoto or Higashiyama yūraku-zu, depicts
the Eastern Hills (Higashiyama) district of Kyoto. The restrained,
elegant treatment and sparing use of gold indicate a painter who
was a member of the leading Kano School, which produced works for
the aristocracy.
|
 |

|
Image at top:
Photograph by Peter Brenner, LACMA
|
 |
|